How Art Made the World the Day Pictures Were Born Author

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an fine art history course or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what nosotros learn almost art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at just some of the women who accept had lasting impacts on their art forms. From some of the art world's almost iconic pioneers to its nigh unsung heroes, these women artists all had a hand — and, in some cases, nevertheless take a hand — in changing the world of fine art and how nosotros ascertain information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is mayhap well-nigh well known for her serial of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a moving-picture show of the installation Half-A-Room, 1967, as seen at the Museum of Mod Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Y'all might offset retrieve of Yoko Ono as a musician and activist, but she'southward also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the functioning art motion, earning the nickname the "Loftier Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she first staged in Nihon; Ono saturday on stage in a nice accommodate and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on stage and cut away pieces of her vesture. "Art is similar breathing for me," Ono has said. "If I don't practise information technology, I starting time to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Fine art (MoMA)

Earlier condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in plow, part of the trajectory of art history.

Saar was part of the Black Arts Motion in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If y'all can get the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her cocky-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Sometime Kickoff Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'south work — and her signature grayscale skin tones — as she was the offset Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you lot likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to proceeds the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the World'south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to judge her race, socio-economic class, and gender — all while dressed equally a Blackness homo with a imitation mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in front of a photo in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that human activity as meditations on various concepts, such as trauma, knowledge, and promise. Ane of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'southward Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in item, houselessness and the voicelessness of the Get-go Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous adult female to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is meliorate known for her installation art and sculptures — like the spider higher up — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the chief styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Footling Taste Outside of Dearest, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and popular art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Fine art movement. As exemplified in her iconic piece of work The Dinner Political party, her installation pieces often examine the role of women in history and civilisation — in the 1970s and before. While at California Land University in Fresno, Chicago founded the first feminist art programme in the United States.

Augusta Savage

Augusta Barbarous with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, frequently of Black folks, Savage founded the Savage Studio of Craft in Harlem in 1932, and, a few years subsequently, she became the first Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just look up her most famous work, Interior Scroll, and you'll run into what we hateful.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established past our patriarchal lodge.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City's queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her concluding name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-proper name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Still, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World State of war Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — only in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Even so from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes educational activity is the path to liberation and uses VR and art to accost global problems such every bit racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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